The sweet, mild voice during conversation turned into a powerhouse for song. Peace,” McIlrath said.īishop Briggs was in the very middle of the lineup, a hard task to take on as arguably the freshest act in the scene. That fire that burns inside you.” The Aoki-collaboration song dug into its hard rock soul, McIlrath paving the way for a new motto: “With lights and sound we drown them out.” Rise Against closed with “The Violence” and bid adieu with something far more pacifist. McIlrath explained they “wrote the song together about that fire. who gave a shit about you when you were young,” McIlrath said, then blasted into “Re-education (Through Labor).” Later, the crowd was treated to Tom Morello as a surprise guest for “How Long,” from Morello’s The Atlas Underground. “I want to send this one to all the public school teachers…. The Chicago natives also paid their respects to Los Angeles by acknowledging the LAUSD teachers’ strikes. It was a lovely moment characterized by seizing lights, a fast tempo and the occasional quick peep of Tim McIlrath’s tongue. ![]() It was the first instance in their set when you could undoubtedly hear the crowd sing along. They dedicated “Prayer of a Refugee” to those searching for a better life. Over seven songs, they performed a straight rock show, with the peppering of some sentimentality. The night took the heavy and fast up and notch by following with Rise Against. I want that crazy shit OK.” Shaw extended his efforts by joining fans on the floor toward the end of the song “You and I.” It was a tried and true warm up for their final and most popular song, “Wish I Knew You,” an easy display of funked out alt-rock. “We’re gonna do a little bit of healing right now… I want y’all dancing. Are you out there?… We want to try something.” He asked for the audience to take this moment to release whatever has been weighing you down. After “Change,” Shaw made a move to entice the crowd. The eight members packed the stage for a jovial alternative rock party, starting with “Oh No.” They mostly sped through a five-song set, with vocalist David Shaw, like a string bean clad in black, leading the way. The revolving stage turned to reveal The Revivalists, arguably the most different act on the bill from twenty one pilots. When it was all over, he held out his ski mask like a trophy, one hand over his chest, to encouraging cheers. He perched atop and screeched over and over, “and now I just sit and silence,” a sentiment both ironic and powerful in a sold-out arena of over 17,000 people. When approaching the bridge, Joseph jumped off the stage and made his way to a platform toward the back of the Forum floor. When the audience realized it was “Car Radio,” they rejoiced. Joseph was pinging away at the piano and the stage was relatively still when it came time for their final song. Twenty one pilots continued their rocking hip hop-flared emo act with “My Blood,” teaching the crowd the bridge, and “Stressed Out,” the song you couldn’t escape in 2016. ![]() He went on to say they thought it would be cool for them to open the show, but upon seeing the stacked bill had a realization: “Oh yeah, I guess that makes sense.” Nevertheless, Joseph remained confident and said, “We’re going to establish the new phrase, ‘save the best for first.’” About halfway through, after “Ride,” frontman Tyler Joseph took a moment to thank iHeartRadio. ![]() There were ski masks, The Red Blurryface Beanie, skeleton hoodies and no shirts at all. The 8-song set featured a flaming vehicle and several costume changes–not quite that of pop stars, but enough of a gear switch to indicate the album era from which each song came. The Ohio-bred duo began with a single, “Jumpsuit,” from their latest release, Trench. Below the twinkling dome, twenty one pilots began the night.
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